Das Ziel des Seminars ist es, den Teilnehmern umfassende Informationen über Obertongesang zu bieten. - Ein Seminar dauert gewöhnlich nur einen Tag.
Inhalte des Seminars
- Ein wenig Theorie in Form einer Vorlesung, was Obertöne sind, wie er in jedem Ton steckt, wie die Obertonreihe aussieht, was saubere und was temperierte Stimmung ist, über Existenz der Untertöne - wirkliche und scheinbare, auf welche Art man einen Oberton singen kann: Grundlagen der »ng-Technik«, »bird-Technik«
…
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Posted by Jan Stanek on 9 May 2008 at 8:00am —
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Jan has given them on his web. I believe they are from the
last concert in Sweden at "Clostra-Kyrke"
in Lund.
2008-05-02 Lund SPEKTRUM in Sweden Continue
Posted by Filip Rydlo on 8 May 2008 at 2:23pm —
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Since May we are more than 150 members on Overtone Music Network. Welcome all new members. Hope that you will find new friends and will share your passion about overtones or overtone music with others. Therefore I published
five guidelines on Overtone Music Network - please provide some feedback, would love to get some comments.
Important
As a visitor of Overtone Music Network you can enjoy our network with all browsers. But if y…
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Posted by ૐ on 5 May 2008 at 9:00am —
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I have just returned with
overtonechoir Spektrum from our
first choir tour! We were in Sweden. I would like to thank to Göesta Peterssen and Midnights Choir for invitation and fantastically kind hosting of our choir members in homes of families of MidnightsChoir-members.
I felt like home - and most of us felt similarily, we were talking about it on our way home.
We had
9 concerts in total.
2 of them in Germany and
1 in Denmark - on our ways: there and ba…
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Posted by Filip Rydlo on 4 May 2008 at 1:30pm —
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This map is hosted by Hillbilly Wally. On his
jew's harp blog Wally writes about his findings on the web. Yet another social network, but it's simple, just a way of getting in touch via email.…
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Posted by Danibal on 28 April 2008 at 11:00am —
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Greetings everyone!
It's great to be among You, my friends, finally a site where I can exchange knowledge and ideas concerning my Passion, the jew's harp.
I've just registered, and I don't have many things yet, but I'm going to resume uploading, I have loads of stuff that could be interesting. ;)
I hope I'll be able to make lots of friends here. :)
Cheers,
Tamas
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Posted by RKiT (Tamas Arki) on 23 April 2008 at 6:54pm —
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Obertongesang
Obertongesang ist eine Gesangstechnik, die aus dem Klangspektrum der Stimme einzelne Obertöne so herausfiltert, dass sie als getrennte Töne wahrgenommen werden und der Höreindruck einer Mehrstimmigkeit entsteht. Man spricht dann von Obertongesang, wenn den Obertönen eine eigenständige musikalische Funktion zukommt, zu unterscheiden von Gesangtechniken, die lediglich die Klangfarbe der Stimme mit Obertönen anreichern.
Westlicher Obertongesang
Die Gesangskunst wurde im…
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Posted by Tran Quang Hai on 22 April 2008 at 5:53pm —
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Obertongesang in Mitteleuropa
Alexander Jentsch
Magisterarbeit am Seminar für
Vergleichende Musikwissenschaft
der Freien Universität Berlin.
Vorgelegt März 2007.
Inhaltsverzeichnis
Vorwort ... 1
1. Fragestellung, Lösungsansatz und Methodik ... 3
2. Obertongesang – Eine Einführung ... 7
2.1 Physikalische und physiologische Grundlagen des Obertongesang ... 7
2.2 Obertongesang im Kontext zentralasiatischer und anderer Musiktraditionen ... 13
2.3 Phänomenologie des Obert…
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Posted by Tran Quang Hai on 22 April 2008 at 5:30pm —
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http://aucoeurdelaresonance.free.fr/index.php/category/comprendre/
Master dissertation on the Overtone Singing in French presented by Renaud Schmitt in 2002 at the Department of musicology, Strasbourg.
Mémoire de maîtrise de Renaud Schmitt sur le chant diphonique (2002)
Mémoire de maîtrise de Renaud Schmitt sous la direction de Jacques Viret soutenu à l’université Marc Bloch (Strasbourg), UFR Arts, Département d…
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Posted by Tran Quang Hai on 21 April 2008 at 6:16pm —
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How to Sing Three Notes at the Same Time
by Bernard Dubreuil / June 1, 1997
1- Nomadic herders and Tibetan monks
In Mongolia, in the Republic of Touva, in certain monasteries of Tibet and among the Xhosa people of South Africa, one can hear an amazing vocal technique in which one singer can produce two stable notes at the same time while a third note varies on top. In other words, one person can sing in chords and can also provide a melody. The lowest note is so extremely low i…
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Posted by Tran Quang Hai on 21 April 2008 at 6:02pm —
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Thanks to Jenska for creating the Phoenix Theme !
I like it. Continue
Posted by Filip Rydlo on 21 April 2008 at 12:05am —
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I have called Radka who organizes that festival
"Prazske zneni" and she told me that the festival definitely will be this year 2008.
It was decided that it will take place
In October from 12.9. to 14.9. 2008.
Soon more info will be available on the website:
www.alikvotnifestival.cz Continue
Posted by Filip Rydlo on 17 April 2008 at 12:06pm —
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http://tranquanghai.musicblog.fr/r23765/Video-Overtones/
This is the link which can offer you nearly 100 video clips on overtone singing, throat singing, khoomei . Click on this link and you can choose the clip you like to watch .
Enjoy !
Tran Quang Hai
…
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Posted by Tran Quang Hai on 16 April 2008 at 6:17pm —
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MAKIGAMI Koichi
VOCALIST,IMPROVISER,SONGWRITER,ACTOR,DIRECTOR,PRODUCER Makigami Koichi is leader/vocalist/theremin/mouth harp player for rock band HIKASHU, known for his virtuosic vocal range and expression as well as his unique incorporation of elements of theatre, performance, and entertainment, all of which make this Japanese band so widely acclaimed both critically and popularly.
He is also active as vo…
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Posted by Tran Quang Hai on 15 April 2008 at 11:21pm —
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http://mongolianmusic.blogspot.com/2008/04/types-of-khoomii.html
Mongolian music
Links to music sites and videos of Mongolian groups and singers specializing in traditional music. Khoomii,overtone singing, harmonic singing, throat singing, long song, urtin duu, morin khuur, etc
Thursday, April 3, 2008
Types of khoomii
…
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Posted by Tran Quang Hai on 14 April 2008 at 5:30pm —
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EGSCHIGLEN
(Contemporary and traditional music from Mongolia)
The band EGSCHIGLEN ("Beautiful melody") was founded in 1991 by master students of the conservatory of Ulaanbaatar. Still today 4 founding members are the heart of the group. From the very beginning, the musicians are focusing on contemporary music of Mongolia and searching systematically for the sound dimensions…
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Posted by Tran Quang Hai on 14 April 2008 at 5:30pm —
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Roberto LANERI, biography
Studies e Background:Philosophy studies: University of RomeDiploma (clarinet): S. Cecilia Conservatory, RomeB.A. in performance, M.A. in composition: State University of New Yok at Buffalo (SUNYAB)Ph.D. in composition: University of California, San Diego (UCSD)
Teachers:Lejaren Hiller, Charlie Mingus, William O. Smith, John Silber and Keith Humble have left the most dura…
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Posted by Tran Quang Hai on 14 April 2008 at 6:30am —
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Huun-Huur-Tu
Artist Biographies
Kaigal-ool Khovalyg
Kaigal-ool Khovalyg
An extremely talented, self-taught overtone singer, Khovalyg worked as a shepherd until the age of 21, when he was invited to join the Tuvan State Ensemble. He settled in Kyzyl and started teaching throat singing and igil. A co-foun…
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Posted by Tran Quang Hai on 14 April 2008 at 6:00am —
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Kongar-ol Ondar
Ondar
Ondar was born in 1962 near the Hemchik River in western Tuva, within sight of the ruins of the Chadaana Buddhist Monastery destroyed by the communists in the 1930's. Ondar's epic saga would converge around his singular vocal gift to make him Tuva's musical ambassador to the world. As a child, he was taught the fundamentals of throat-singing by his uncle. "Throat-singing…
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Posted by Tran Quang Hai on 14 April 2008 at 5:58am —
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Inuit Throat-Singing
Introduction
For those who know about throat-singing, the expression commonly refers to a type of singing mainly used in Tibet, Mongolia, Tuva (situated North-West of Mongolia) and surrounding regions. This particular type of singing differs from normal singing in that a singer can produce two or more notes simultaneously or unusual textures/timbres through special vocaliz…
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Posted by Tran Quang Hai on 14 April 2008 at 5:41am —
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Thanks to the documentary film, Genghis Blues, Paul Pena is now known and appreciated throughout the world for his amazing accomplishments as a musician, particularly for having taught himself the techniques of traditional Tuvan singing.
K.O.& Paul perform at the Presidio Chapel (SF) Jan. 6, 2000. Paul's wearing a traditional Tuvan robe and hat that he was given during his epic journey to Tuva.
Paul Pena w…
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Posted by Tran Quang Hai on 14 April 2008 at 5:30am —
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Michael Wright is rapidly becoming the most recognised player of the Jew’s harp in the United Kingdom today.
His expertise with playing this melodic, uncommon, yet historically important musical instrument is stretching the repertoire to its limits, both as a folk accompaniment and as a classical centrepiece.
His research into the social history of the instrument is ensuring that the full scope of the Jew’s har…
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Posted by Tran Quang Hai on 13 April 2008 at 10:07pm —
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Mark Van Tongeren, Amsterdam, 2002, p.110
One of the most controversial recent developments of khoomei is the growing popularity of female throat singing.....
.....Women and khoomei are a bad combination according to Tuvans. Khoomei is an utterly masculine matter, which is clearly reflected in a number of taboos for women. Tuvan men and women, as well as a Western overto…
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Posted by Tran Quang Hai on 13 April 2008 at 8:51pm —
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Mark van Tongeren is a sound explorer and ethnomusicologist who has worked independantly for theatre, radio, clubs, universities and conservatories as a performer, music teacher, dj and researcher.
He feels equally at home ‘in the field’ to study and practice indigenous vocal techniques, as in cutting-edge experimentation in sound and vision, using his voice and a wide array of instruments small and large.
Mark van Ton…
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Posted by Tran Quang Hai on 13 April 2008 at 8:45pm —
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“Tyva Kyzy” (“Daughters of Tuva”) is the first and only women’s group in Tuva that performs all styles of Tuvan throat-singing. This from of multiple tones harmonic singing has been practiced mostly by men and prohibited for women. Tyva Kyzy dares to perform publicly this ancient art of singing in their own unique “feminine” style.
Here is Tyva Kyzy’s “setkilemden sergek yr-dyr” (a cheerful song of…
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Posted by Tran Quang Hai on 13 April 2008 at 8:30pm —
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Proceedings of the International Symposium on Musical Acoustics, March 31st to April 3rd 2004 (ISMA2004), Nara, Japan
Ken-Ichi Sakakibara
1,2,
kis@brl.ntt.co.jp
Leonardo Fuks
3,
leofuks@serv.com.ufrj.br
Hiroshi Imagawa
4,
imagawa@m.u-tokyo.ac.jp
Niro Tayama
5,2 ntayama@imcj.hosp… Continue
Posted by Tran Quang Hai on 13 April 2008 at 7:00pm —
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Sarah Wallin
Tuvan Throat Singing
and the Legend of the Horse Head Fiddle
At the geographical center of Asia, surrounded by the Altai-Sayan mountain system, lies the
country of Tuva. Fifty percent of its mountainous territory is covered with forests of firs, Siberian
larches, cedars, pines, and poplars. Four hundred lakes spot the region, many of which are glacial,
(though Tuva is also known for its warm, curative waters); and the Jenisej river, one of the longest
rivers of our planet,…
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Posted by Tran Quang Hai on 13 April 2008 at 2:16pm —
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Kargyraa and meditation
Chen-Gia Tsai
Pipe model of a Kargyraa singer's vocal tract
The melody pitch f1 (the center frequency of the first formant) in Kargyraa voices is determined by the mouth opening. A perturbation method predicts the resonance shift caused by a bore enlargement at a position x0 of a pipe with a irregular geometry (e.g., Fletcher & Rossing 1991). During a performance of Kargyraa, the bore diameter of the vocal tract changes at the lips, a pressure node for…
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Posted by Tran Quang Hai on 12 April 2008 at 11:10pm —
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False vocal fold surface waves during Sygyt singing: a theoretical study
Chen-Gia Tsai
1. Introduction
Overtone singing is a vocal technique found in Central Asian cultures such as Tuva and Mongolia, by which one singer produces a high pitch of nF0 along with a low drone pitch of F0 (F0 is the fundamental frequency, n = 6, 7, ...13 in typical performances). The voice of overtone singing is characterized by a sharp formant centered at nF0.
There are two approaches of physical mo…
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Posted by Tran Quang Hai on 12 April 2008 at 11:00pm —
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Physical Modeling of the vocal tract of a Sygyt singer
Chen-Gia Tsai
Source theory v.s. Resonance theory
Two types of overtone-singing should be distinguished: Sygyt and Kargyraa. In Sygyt performances, the rising tongue divides the vocal tract into two cavities, which are connected by a narrow channel, whereas the tongue does not rise in Kargyraa performances.
Up until now, two major theories have been proposed on the production of the melody pitch: (1) The 'double-source' the…
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Posted by Tran Quang Hai on 12 April 2008 at 9:50pm —
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Perception of Overtone Singing
Chen-Gia Tsai
Pitch strength
Voices of overtone-singing differ from normal voices in having a sharp formant Fk (k denotes Kh??mei), which elicits the melody pitch fk = nf0. For normal voices, the bandwidths of formants are always so large that the formants merely contribute to the perception of timbre. For overtone-singing voices, the sharp formant Fk can contribute to the perception of pitch.
A pitch model based on autocorrelation analysis predic…
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Posted by Tran Quang Hai on 12 April 2008 at 9:38pm —
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Ken-Ichi Sakakibara
NTT Communication Science Laboratories
3-1, Morinosato Wakamiya, Atsugi-shi,
243-0198, Japan
phone: 81 46 240 3657
fax: 81 46 240 4716
email: kis(at)brl.ntt.co.jp
Japanese version
Curriculum Vitae
Bibliography
Music
Ken-Ichi Sakakibara
Curriculum Vitae
Personal Information
Name in Passport: KENICHI SAKAKIBARA
Gender: male
Date of Birth: Feb. 11, 1968
Place of Birth: Nar…
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Posted by Tran Quang Hai on 12 April 2008 at 7:48pm —
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Overtone Singing
Chen-Gia Tsai
* Perception of overtone singing
* Physical modeling of the vocal tract of a Sygyt singer
* False vocal fold surface waves during Sygyt singing: A hypothesis
* Kargyraa and meditation
The voice of overtone singing is characterized by a prominent formant. In this spectrum of a sound produced by a Taiwanese overtone singer, the 10th harmonic is stron…
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Posted by Tran Quang Hai on 12 April 2008 at 7:32pm —
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First Pan-American/Iberian Meeting on Acoustics, Cancun
[ Lay Language Paper Index | Press Room ]
Observation of Laryngeal Movements for Throat Singing
Vibrations of two pairs of folds in the human larynx
Ken-Ichi Sakakibara*1, Tomoko Konishi, Emi Zuiki Murano*2, Hiroshi Imagawa*2, Masanobu Kumada*3, Kazumasa Kondo*4, and Seiji Niimi*5
*1 NTT Communication Science Laboratories, 3-1, Mori…
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Posted by Tran Quang Hai on 12 April 2008 at 7:30pm —
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TSAI Chen-Gia, Ph.D. Acoustics, Taiwan
Vocal fold vibration and singing
* Ultrasonic imaging of vocal folds
* Vocal fold vibration as sea waves on a porous seabed
* Overtone singing & high-frequency vocalization
* Growl voice & spine stability
Chen-Gia Tsai
Assistant Professor, Graduate Institute of Musicology
National Taiwan University, Taipei, TAIWAN
Ph.D., Musikwissenschaft
Humboldt-…
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Posted by Tran Quang Hai on 12 April 2008 at 7:27pm —
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Seiji ADACHI : The Secret of Throat Singing, 2000 Congress ASA, USA
Acoustical Society of America
140th Meeting / NOISE-CON 2000 Press Release
THEME PARK ACOUSTICS,
ELECTRONIC NOSES,
AND THE SOUNDS OF LIPOSUCTION
AT UPCOMING ACOUSTICS MEETING
FOR IMMEDIATE RELEASE
Melville, New York, November 1, 2000
What are some ways of solving the noise problems on the space station? How does liposuction work at the nanometer scale? How can sound waves "smell" the amount of specific chemicals…
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Posted by Tran Quang Hai on 12 April 2008 at 7:23pm —
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Theodore Levin
Professor
PhD, MFA Princeton University
BA Amherst College
Theodore Levin is an ethnomusicologist whose research has focused on the traditional music of Central Asia, Siberia, and Slavic Russia. He is an active record producer, concentrating on folk music and classical music repertory from Eastern Europe and the former Soviet Union. For five years he worked as an impresario in US-Sovi…
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Posted by Tran Quang Hai on 12 April 2008 at 7:21pm —
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Leonardo FUKS : curriculum vitae
Curriculum vitae of Leonardo Fuks, Ph.D.
Leonardo Fuks,
born in 1962, Rio de Janeiro, Brazil.
Address: Av. Osvaldo Cruz 112, apto. 801, Flamengo, 22250-060, Rio de Janeiro, Brasil
Rio de Janeiro - BRASIL
Telephone: + 55 (21) 5511582 ; Fax: +55 (21) 5514723
Undergraduate Education
* Mechanical Engineering - Federal University of Rio de Janeiro…
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Posted by Tran Quang Hai on 12 April 2008 at 7:00pm —
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Sven GRAWUNDER : bio and research interests
Sven Grawunder, PostDoc Research fellow, speech scientist, phonetician, has been working at Department of Linguistics Max Planck institut for Evolutionary Anthropology (MPI EVA),LEIPZIG, GERMANY.
Contact: grawunde@eva.mpg.de
Sven Grawunder
PostDoc research fellow
[speech scientist, phonetician]
Department of Linguistics
Max Planck Institut for evolutionary Anthropology (MPI EVA),
Leipzig, Germany
contact: grawunde_at_eva.mpg.de…
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Posted by Tran Quang Hai on 12 April 2008 at 6:54pm —
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Sven Grawunder is a researcher on phonetics and sprechwissenschaft at Martin-Luther Universitat in Halle-Wittenberg, Institut für Sprechwissenschaft und Phonetik. He wrote his dissertation
"Die Erforschung eines besonderen Stimmgebrauchs - Obertongesang vs. Kehlgesang"
in 1999 in Halle-Wittenberg, Germany and has studied the problem of overtones and undertones in throat singing .
Grawunder, Sven. 2003.
Comparison of Voice Production Types of ‘Western’ Overtone Singing
and South S… Continue
Posted by Tran Quang Hai on 12 April 2008 at 6:30pm —
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Leonardo FUKS : biography
at the lab with reed woodwindsfakir oboist (by L.F.)
Leonardo Fuks, PhD
Leonardo Fuks is a Brazilian engineer and musician who has just finished his doctoral thesis at the Department. His research project Breathing and blowing in the woodwinds: musical, acoustical and physiological aspects was supervised by prof. Johan Sundberg and supported by a…
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Posted by Tran Quang Hai on 12 April 2008 at 6:30pm —
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Harmonic singing (or overtone singing) vs normal singing
Harmonic singing shares techniques with diphonic singing, overtone singing, xoomi singing, sygyt singing, throat singing, Tuva singing etc. We explain some of the acoustics of this style of singing in terms of the measured acoustical response of the vocal tract. In this technique, the singer emphasises one high harmonic of the voice to such an extent that it is heard separately from the low pitched note being sung. Different notes in the…
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Posted by Tran Quang Hai on 11 April 2008 at 8:00am —
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Khoomei - How To's And Why's
During the past year I have learned techniques of some throat-singing styles as practiced in Central Asia. With guidance from Maj. P.C. (Ret.), and access to his collection of vocal recordings from that part of the world, I have experienced fair success in executing the forms described below. The following is intended to offer instruction to anyone with interest and patience enough to learn a way to refine self-generated sound. Previous voice training is not requi…
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Posted by Tran Quang Hai on 11 April 2008 at 7:58am —
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Tuvan throat-singing, or Khoomei, is the area with which I have the most extensive experience. While I am familiar with other types of harmonic singing and chant, the main focus of this page will be Tuvan. You can find some information/links about other regions below.
All styles of Tuvan Khoomei involve controlled tension in and manipulation of the diaphragm, throat, and mouth. However, there are great differences between the different types of throat-singing; for example, some styles are multi…
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Posted by Tran Quang Hai on 11 April 2008 at 7:30am —
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Xöömij
There is a special vocal technique which has developed in Mongolia called xöömij (throat). It is sometimes referred to as the « jaw’s harp voice » and it is done by men only. It is a unique in that one singer produces two « voices » simultaneously. One of them is a prolonged droning of a fundamental vocal tone above which another melodic line with a whistle like quality is produced in a high register. By making the vocal chords tense and pressing the air through them with great fo…
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Posted by Tran Quang Hai on 9 April 2008 at 3:30pm —
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Tran Quang Hai : Il canto difonico : descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate, part 1
Facciamo tutti del canto difonico senza saperlo ! Basta aprire la bocca ed emettere un suono di gola. Quest’ultimo è composto da un suono di base continuo invariante, tenuto alla stessa altezza, e da altri suoni più acuti, gli armonici. Il…
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Posted by Tran Quang Hai on 8 April 2008 at 11:30pm —
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Tran Quang Hai : Il canto difonico : descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate, part 2
Campo di azione del canto difonico
Dal punto di vista del campo d’azione, il canto difonico è equivalente al canto normale, fatta eccezione per ciò che concerne l’ambitus.
Il tempo di esecuzione è evidentemente in funzione della gabbia ttoracica del cantante, dunque della respirazione, ma anche dell’intensità sonora poiché…
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Posted by Tran Quang Hai on 8 April 2008 at 11:30pm —
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Tran Quang Hai : Il canto difonico : descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate, part 3
Bibliography :
(1)A.N. Aksenov, Tuvinskaja Norodnaja Muzyka, 1964 ; Die Stile de Tuvinischen sweistimmigen Sologesanges, in Sowjetische Volkslied und Volksmusikforschung, Berlin, Ausgewähte Studien Akademie Verlag, 1967, pp : 293-307 ; Tuvin Fol…
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Posted by Tran Quang Hai on 8 April 2008 at 11:30pm —
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Liebe Obertonfreunde,
für alle, die zum 29. April in der Münchner Gegend sind oder herbeikommen wollen,
hinterlasse ich hier diesen Link:
www.silencewithinmusic.com
…
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Posted by Christian Hack on 7 April 2008 at 10:00pm —
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Tran Quang Hai: Overtones in Central Asia and in South Africa
GENERAL VIEW
The most well-known area for overtone singing is found in Central Asia, more specifically Western Tuva and Northwestern Mongolia. A great number of singers practice overtone singing, a tradition going back to the time of the Silk Road trade, according to some references in Tuvan songs. There is a rich culture of overtone singing, as demonstrated by many different styles, the great regional and even persona…
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Posted by Tran Quang Hai on 6 April 2008 at 9:00am —
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11ª edizione - 2007
ASCOLTA I GRUPPI IN RASSEGNA
11ª Rassegna di Musica Diversa
"Omaggio a Demetrio Stratos"
Rassegna di Gruppi Rock-Underground
Italiani Emergenti
In occasione del 28° Anniversario della morte di Demetrio Stratos avvenuta il 13 giugno 1979, Raffaello Regoli e l'Associazione Culturale "Grande Albero" con il Patrocinio dell'Assessorato alla Cultura del Comune di Cento (FE), la collaborazione di Daniela Ronconi e Loris Furlan. Organizzano la 11ª Rassegna di Musica Diversa “Omaggi…
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Posted by Tran Quang Hai on 6 April 2008 at 1:30am —
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Tran Quang Hai & Albert Hera
Nell'ambito della XIIª edizione della
Rassegna di Musica Diversa
Omaggio a Demetrio Stratos
Stage estemporaneo sul Canto Difonico, aperto sia ai principianti che agli avanzati.
Albert Hera:
gli anni di studi e di ricerche hanno permesso ad Albert Hera di sviluppare una propria identità in ambito musicale e una personale filosofia sulla didattica: “Il Cantar Naturale” propone una visione del canto come emissione libera, alla base della qual…
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Posted by Tran Quang Hai on 6 April 2008 at 1:00am —
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TQH: Method of Learning Overtone Singing Khoomei A considerable amount of research has been for thee last 40 years carried out throughout the world into this vocal phenomenon, particularly as it is practised in Mongolia and Tuva.
In Mongolia and Tuva, thee word KHOOM…
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Posted by Tran Quang Hai on 5 April 2008 at 11:30am —
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Today, it was wonderful. I was in Podebrady at the EOC (at the end of the meeting) and
managed to record part of the concert. Just as much as the battery of my old notebook allowed me to. :)
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Posted by Filip Rydlo on 28 March 2008 at 11:30pm —
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Top Aktuell: »Healing Buddha Oratory - a lovesong for Tibet«
Die neue CD von Christian Bollmann und dem Obertonchor
Einen Tag nach dem die CD aus der Fertigung kam, kamen die ersten Schreckensmeldungen aus Lhasa. Welche tragische Aktualität! Tibet braucht auch unsere Unterstützung. Ich hoffe dass diese CD hilft, die Sympathie für Tibet in der Welt zu stärken und damit einhergehend auch dazu beiträgt, das Verhältnis von China und Tibet zu heilen.
Ich freue mich, Ihnen nun die CD, an der…
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Posted by Christian Bollmann on 28 March 2008 at 4:00am —
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on Tuesday 25th of March 2008, in the castle in Podebrady (CZ) I joined the meeting of European Overtone Choir for that day only. Too bad I did not have more holidays - I would have staid there till friday and sing on the concert...
I very much enjoyed giving a one hour lesson of advanced overtonesinging for about 32 overtonesingers.
Woooooow, it was fantastic new experience for me. I Love it !
I have never worked with so many skilled ovt.singers before !
I would like to send b…
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Posted by Filip Rydlo on 26 March 2008 at 12:30am —
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Overtone study tour, 24.07.2008 to 07.08.2008
Booked up!!!
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Posted by Hosoo on 25 March 2008 at 6:30pm —
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It's a simple idea: gather people together and sing a continuous OM as a meditation for peace. On Easter Sunday March 23rd, 2008 at 6:00 PM EDT, US, people, all over the world, who want to give expression to their wish for peace will gather in groups to join in the sound of many voices singing as one in an extended OM.
Each person, as a meditation on peace, sings their own note at their own rate guided by their breath. Within the group this builds an exquisitely beautiful, rising and falling, s…
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Posted by Baird Hersey on 19 March 2008 at 5:00am —
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NAM´s eclectic & iconoclastic debut-album TRANS features CELTIC ORIENTAL OVERTONEMUSIC.
-> order here
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Posted by NAM on 14 March 2008 at 2:00pm —
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Seminare für Obertongesang
The records from Sweden
Overtone Music Network - Updates for May 2008
Jew's Harp map
First One
Obertongesang - Westlicher Obertongesang - Kehlgesang - Höömii = mongolischer Kehlkopfgesang
silence within music - eine Einladung ins Nichtstun
Our new CD: »Healing Buddha Oratory - a lovesong for Tibet«
Musical journey to Mongolia with Hosoo
Om For Peace
Eclectic NAM Album "TRANS" available!
